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Nadia Granados (born May 3, 1978 in Bogotá, Colombia) is a Colombian performance artist who uses her body in combination with multi-media technologies to explore relationships between the representation of state violence in mainstream media, institutionalized machismo, heterosexual pornography and violence against women. ==Work== Granados' performances are interlacing grass roots activist strategies (for example public intervention in ''real life'' and ''virtual'' public places) with visual media technology (such as mixing closed circuit video with mash up video art projections). In her live performance show ''El Cabaret La Fulminante'' she employs an alter ego, (La Fulminante ). This sardonic parody of an over-sexualized ''Latina'' character speaks in an unknown, possibly indigenous but actually fictional language, which is then dubbed via video projection with hyper-political subtitles, creating an uncomfortable mix of eroticism on the one hand and radical left polemics on the other. By contrasting these antagonisms, Granados invites the viewer to reconsider their ideas on post-colonialism, gender stereotypes, auto-representation and pornographic imagery, while simultaneously exposing manipulative, pop-cultural media strategies and openly promoting the rejection of neo-liberal, imperialist values. In 2013, the Granados was awarded the 28th (Franklin Furnace Fund ), NYC, for her performance ''Carro Limpio, consciencia sucia''. Granados has presented her work in Colombia, Argentina, Brazil, Ecuador, Mexico, Peru, Venezuela and Canada, as well as in France, Italy, Spain, and Germany. In January 2014, one of her video works, entitled ''Maternidad Obligatoria'', created a media controversy in Spain, when Internet hackers inserted it into the web page of the Catholic archbishop of Granada, Spain. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Nadia Granados」の詳細全文を読む スポンサード リンク
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